Angel Der blaue Engel Blonde Venus Desire Destry Rides Again The Devil is a Woman Dishonored The Flame of New Orleans A Foreign Affair Die Frau nach der man sich sehnt The Garden of Allah Gefahren der Brautzeit Golden Earrings Ich küsse Ihre hand, Madame Judgment at Nürnberg Kismet Knight Without Amour The Lady is Willing
 Manpower Marlene Martin Roumagnac The Monte Carlo Story Morocco No Highway Pittsburgh Prinzessin Olala Rancho Notorious The Scarlet Empress Das Schiff der verlorenen Menschen Schöner Gigolo, armer Gigolo Sein grösster Bluff Seven Sinners Shanghai Express Song of Songs Touch of Evil Wittness for the Prosecution
   
     
 Note


THE FLAME OF NEW ORLEANS

Marlene Dietrich:
It was his [Pasternak's] idea that I should make a film with Rene Clair. At first I resisted the idea. But finally out of loyalty to my old principle, that doing your duty was all that mattered, I yielded. So, in my date book, I wrote: THE FLAME OF NEW ORLEANS, under the direction of Rene Clair, with Bruce Cabot.
Cabot was an awfully stupid actor, unable to remember his lines or cues. Nor could Rene Clair, who didn't speak a word of English, lend him a helping hand. Besides, Bruce Cabot, in contrast to John Wayne, was very conceited. He wouldn't accept any help. I finally resigned myself to paying for his lessons, so that he would at least know his lines during shooting.
The team loathed Rene Clair (surely because of the language barrier) to such an extent that the technicians almost pushed me off the set the moment they heard the order: Pack up your things.' THE FLAME OF NEW ORLEANS was a flop. I played a double role (two sisters) and, as always, wore lavish costumes, but that wasn't enough.
I didn't particularly like Rene Clair, but I didn't hate him as much as the rest of the team did.
Excerpt from Marlene Dietrich: My Life.© 1987 by Marlene Dietrich. Reprinted by permission of M. Dietrich, Inc.


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